When it came to amenities, the ancients had it rough, but their world view was very easy: there were only four elements, air, earth, fire or water. If civilization ended tomorrow, they would still be around, so of course they fascinate artists. Some works in this "Earth and Element" show are more elemental than others, but our relationship with those old elemental forces remains a mystery that has a lot to do with the nature of consciousness itself. Pat Steir's “Persian Waterfall,” features, elongated drips and splatters of pale paint cascading down a dark background in a work that epitomizes her flair for blurring the boundaries between abstraction and representation while psychically resonating an aura of cooling mists that can almost be felt as much as seen.

Himalayan peoples regard space as a fifth element, and Olafur Eliasson's “Hinged View” sculpture of six glass orbs on black metal stands illustrates the circular relationship between spatiality and consciousness. Paradoxically, Eliasson's scientifically intricate works can seem rather magical precisely because they so clearly illustrate how subjective outer appearances really are, and how changes in perspective can make your entire world view suddenly shift on its axis. ~Bookhardt / “Ear to the Ground: Earth and Element in Contemporary Art at NOMA,” Through August, New Orleans Museum of Art, City Park, 658-4100.