As we reflect on another amazing Jazz Fest, it can seem staggeringly ironic that such an ecstatic event could have been an indirect result of one of history's most horrific episodes: the Atlantic slave trade. But without the forced interaction of such diverse cultures there would be no jazz, blues or rock music as we know it today. In 2014, the newly restored Whitney Plantation in Wallace, Louisiana, opened as the first American house museum to reveal what plantation life was really like, and among the historic artifacts are some startling contemporary clay sculptures by Woodrow Nash. Perhaps the most haunting are some life-size children who turn up in various settings like side characters in Mark Twain stories. Unlike other such museums, the Whitney elucidates the harshness of plantation life, a brutality made all the more unnerving by the vulnerable innocence of Nash's children.
A more varied array of his works on view at the Angela King Gallery includes some sinuous lifelike figures inspired by 17th century African styles of dress and adornment. Although rendered with hints of art nouveau and Matisse-like flourishes, their presence is as elemental as Africa itself, and the colorful glazes seen in a view of the artist and his creations, top, reinforce that sub-Saharan aesthetic. For instance, a sculpture of a tall, slender woman, Almitra #9, left, conveys the lithe grace of a Masai princess with large copper disk earrings and vibrant glazes painted in bold African fabric patterns underscoring her regal aura. A bust of a male warrior, Husani #4, sports a white glaze reminiscent of the pigments used in tribal rituals while highlighting the patterns etched into most of the adult figures—incised designs that suggest scarification but also probably help them survive the intense heat of the ceramic kiln intact. At the entrance to the gallery, a cluster of Nash's ceramic children recalls old New Orleans' ever present street urchins, and it doesn't take much to imagine them as the young Louis Armstrong's ragtag friends and playmates. ~Bookhardt / Woodrow Nash: Recent Figurative Clay Sculpture, Through May 22, Angela King Gallery, 241 Royal St., 524-8211.
In Akira Kurosawa’s film Rashomon, a samurai has been murdered, but it’s not clear why or by whom. Various characters involved tell their versions of the events, but their accounts contradict one another. You can’t help wondering: Which story is true? More>>