Sunday, May 3, 2015

Debbie Fleming Caffery at Octavia Gallery

Ventriloquist, 2013

Gerald's Truck, 1999
Growing up in south Louisiana's sugar cane country, Debbie Fleming Caffery was immersed in the area's annual harvest rituals. Although increasingly mechanized, sugar cane farming still features events like the pre-harvest burning of the fields to remove leaves from the stalks prior to processing. Seen from above, swaths of Acadiana resemble a fiery apocalypse. Up close, plumes of ash and smoke obscure the sun. Like a Burning Man ritual on a vast scale, this is a routine fact of life for the region's traditional Cajun and Afro-Creole communities, so it may come as no surprise that much of Caffery's work is imbued with a heightened sense of mystery and drama. Over the course of decades, her mythopoetic vision has encompassed not only those eerie cane country rituals, but also the lyrical and mysterious qualities of life as it is lived in places like rural Mexico and, more recently, the stark expanses of the rural Mississippi countryside. If the title, Southern Work, suggests particular places, the dreamy and otherworldly nature of her images evokes a more psychological realm where the ordinary boundaries between the heart, the psyche and the land sometimes seem to have dissolved.
Church Steeple and Cornfield, 2011
Junior, 2014
In Gerald's Truck, 1999, a white pickup roaring down a road reflects rays of sun breaking through a soot black sky as smoke belching from distant mills and burning cane fields turns day into night.  In Church Steeple and Cornfield, 2011, thunderheads gather over a horizontal landscape as a dislocated church steeple sits like an exclamation mark on a road flanked by cornfields. Far from the bustle of the city, things inexplicable and incidental can assume a portentous aura. Caffery's human subjects are no less mysterious. Junior, 2014, features a black man sitting stoically in the shadows like a carved ebony saint fringed with snow white hair. But her most symbolic figure may be Ventriloquist, 2013. Like a mythic trickster in a mirror, he reminds us that the world of appearances isn't always what it seems. ~Bookhardt / Southern Work: Photography by Debbie Fleming Caffery, Through May 23, Octavia Art Gallery, 454 Julia Street St., 309-4249.