Sunday, September 14, 2014

Gordon Parks' "Segregation Story" at Arthur Roger



At first glance, many of these photographs of Alabama in 1956 suggest the mellow, nostalgic visions of traditional American life that we associate with Norman Rockwell's illustrations or Ronald Reagan's speeches. Look again, and many of the people in these pictures appear clustered near signs announcing "White" or "Colored" that imposed race-based restrictions on their freedom, so scenes that appealed to our nostalgia for a more "innocent" time, turn out to be more like South Africa's sinister apartheid era. They were the work of the late Gordon Parks, whose dramatic photo essays for Life Magazine presaged his later career as a filmmaker, and the cinematic contrast of blatant racism appearing in otherwise innocent looking places underscores this paradoxical and strangely misanthropic twist in our history.
 
In  Department Store, Mobile Alabama, 1956, top, a primly dressed lady and her daughter stand on the sidewalk below a sign spelling out "Colored Entrance" in big red neon letters in a scene that in purely visual terms resonates nostalgia, which only makes its symbolism all the more chilling.  At an old time Dairy Freeze, above left, signs advertising shakes and sundaes share space with others announcing "White" and "Colored" service windows. Parks' photos of Alabama black folks at home evoke a sense of old time Americana worthy of Grant Wood, and although he was later better known for images of tumultuous Civil Rights protests, it is hard to imagine pictures that convey the sheer freakishness of racism more effectively than these Segregation Story photographs. Lost for decades, they finally turned up in 2012, and will soon appear in a new book and a major exhibit at Atlanta's High Museum.  Such works provide both a context and a contrast for Ti-Rock Moore's recent civil rights-inspired works at the Ogden Museum and Gallery Twenty-One Fourteen, where a neon sign candidly spells out White Privilege among other works reminding us that relics of white supremacy linger on, and we can only wonder how historians will view this period a half century from now. ~Bookhardt

 
Segregation Story: Photographs of Mid-1950s Alabama by Gordon Parks, Through Sept. 20, Arthur Roger Gallery, 432 Julia St. 522-1999;  Ti-Rock Moore appears at Gallery Twenty-One Fourteen, 2114 Decatur St, 941-7119. (See post below.)