Sunday, February 20, 2011

Betancourt at Heriard-Cimino; Leinwand at the Front

 

Looking at Carlos Betancourt's work can be like stepping through the looking glass; it all seems familiar yet skewed in unlikely ways. In art as in life, context is everything, and here we are strangers in a strange land of exotic flora and preposterous kitsch where everything makes a bold statement even if that statement has been digitally encrypted as decorously exotic babble. Cynics might say that sounds a bit like Miami, and in fact they would be right. Betancourt was born in Puerto Rico of Cuban parentage but has lived in Miami since 1981, so it should come as no surprise if his work suggests a nexus where Carmen Miranda and Tito Puente meet Jeff Koons and Lady Gaga. Miami is where New York meets the tropics and Betancourt evokes a loopy new strand of aesthetic DNA. Large, kaleidoscopic photomontages like RE-COLLECTIONS, above, mingle flowers, butterflies, starfish and fruit with candy, beads and action figures in explosive cornucopias of pop-cultural delirium. His sculptures are neoclassical columns that might evoke the gravitas of ancient Rome were they not festooned with bananas, pineapples, grapes and bunches of other stuff that looks like leftovers from Carmen Miranda's crazy carioca hats, and in these works Betancourt takes the typically tart conceptual art memes of appropriation and deconstruction to giddy new levels of tropical extravagance.
  

     More kaleidoscopic compositions appear in Jason Leinwand's meticulous paintings at the Front. Based on G. I. Gurdjieff's metaphysics, and psychedelic in tone and content, they also employ pop-cultural references such as UFOs, brains, hearts and skulls in tattoo-like abandon to produce images that are seriously mystical yet also zany, recalling both the Aleister Crowley tarot deck and old Greatful Dead album jackets. The kitsch may conflict with the metaphysics, but Brooklyn-based Leinwand is serious, and the intensity he puts into his work augers well for its future evolution. ~Bookhardt

PORTRAIT OF A GARDEN: Photomontages and Sculopture by Carlos Betancourt, Through March 20th, Heriard-Cimino Gallery, 440 Julia St., 525-7300; www.heriard-cimino.com
FAITH, LOVE AND HOPE: Paintings by Jason Leinwand, Through March 6th
The Front, 4100 St. Claude Ave., 920-3980; www.nolafront.org