Sunday, June 13, 2010
STANDING KNIFE, PINON AND MORNING GLORY is a 10-foot tall bronze, mahogany and stainless steel piece that suggests a skeletal flower atop a huge wooden blade. Here Surls alludes to the symbolism of male and female, but its inner meaning suggests a kind of prairie alchemy involving his notion of “conjuring —from the land, the wind and the bayous.” In some ways, the sheer heft of his materials can make some of these works seem a little bit earthbound even as similar concepts make his drawings sparkle with magical intent. But HEAD AND HOOF, right, a long pine tree root topped with petal or propeller-like forms, eludes gravity’s pull, partly because it hangs suspended, and partly because its radial forms atop the spindly armature of the root evoke an eerie energy not unlike magnetic levitation.
WALKING EYE FLOWER, top, a bronze pedestal sculpture, melds the ethereal abstraction of the drawings with a hint of the heft of the others in a snaky pinwheel with many eyes, a tumbleweed prairie demon dancing like Shiva in the convection currents. Here Surls mines the earthy expanses for their hidden meanings, which he distills into poetic wood and metal manifestos that speak the language of the land. ~Bookhardt
James Surls: RECENT SCULPTURE,
Through June 27
Arthur Roger Gallery, 432 Julia St., 522.1999; www.arthurrogergallery.com