Sunday, January 17, 2010

Delgado at Ferrara; Azaceta at Arthur Roger and NOMA

The distance between Cuba and the U.S. is somehow greater than the 90 miles that divides them. As a post-revolutionary time warp, Cuba poses unique challenges to its artists even as its heritage provides a rich and timeless cultural reservoir for them to draw from. And they do, often literally. Yet, as a Kafkaesque kind of conundrum where art supplies can be as hard to come by as ordinary freedom of expression, Cuba makes its artists be extra-resourceful in using whatever is at hand, and the work of Angel Delgado epitomizes this approach. Known for controversial performance pieces, he was once sentenced to six months in jail for publicly relieving himself on a copy of the Cuban communist party newspaper. In prison he learned to make art from soap, handkerchiefs and bed sheets, items seen in this show overlaid with his iconic figures, alienated humans confronting locks, barred windows and barbed wire. A series of hanging buckets, above, outlines the dimensions of his former cell. In each is a carved figure with water up to his neck, a metaphor for the looming dread of suffocation that all repression imposes.
 The well-known American artist Luis Cruz Azaceta left Cuba as a child. After a stint in New York, he made New Orleans his home for the past 17 years. His humanistic abstractions confront the absurdities of contemporary life as we see in BLUE and INDUSTRIAL COMPLEX, above, while others invoke Cuba in particular. His alienated figures and the beautiful if convoluted nature of his compositions touch on the universal as well as the particular paradoxes of the human condition, but with a hint of the ironic humor seen in Charlie Chaplin’s anti-fascist films. As with Chaplin, Azaceta sees irony as the universal that underlies both repression and our responses to it.  ~Bookhardt      

Through Feb. 20
Jonathan Ferrara Gallery, 400a Julia St., 522-5471;
Through March 28
New Orleans Museum of Art, City Park, 658-4100;
Luis Cruz Azaceta: EXILE 50
Through Feb. 20
Arthur Roger Gallery, 432 Julia St., 522-1999;

As seen in Gambit